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Peer-reviewedCC BYFrontiers in psychology

"Breaking the bars of my prison of fear" a trauma- and resilience-informed photovoice model as a community intervention following a human-made collective disaster.

  1. 1Ben-Gurion University of the Negev, Be'er Sheva, Israel.

Abstract

Introduction

Human-made collective disasters disrupt not only physical safety but also the systems of meaning, relationships, and shared narratives that sustain community life. This article presents a Trauma- and Resilience-Informed Photovoice Model (TRIPVM) as an arts-based community intervention and illustrates its implementation in the Israeli city of Ofakim following the October 7, 2023 terrorist attack.Methods

Developed within a Community-Based Participatory Research (CBPR) framework, the model integrates principles of disaster management, trauma- and resilience-informed practice, and the visual arts to support community recovery. The intervention involved 11 community groups facilitated by 22 trained facilitators and combined photography, narrative writing, structured group dialogue, and a public exhibition.Results

The article describes the model's theoretical foundations, implementation protocol, and practical application through representative examples from the intervention. The model is organized around four complementary principles: (1) constructing resilience narratives; (2) strengthening community recognition and ownership of collective narratives; (3) identifying and mobilizing individual and community coping resources; and (4) fostering agency, choice, and the reframing of traumatic experiences through artistic expression.Discussion

The proposed model extends Photovoice beyond its traditional role in participatory research by offering a practical, arts-based framework for community recovery following war, terrorism, and other human-made collective disasters.

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BibTeX
@article{malka2026breaking,
  title = {{"Breaking the bars of my prison of fear" a trauma- and resilience-informed photovoice model as a community intervention following a human-made collective disaster.}},
  author = {Menny Malka},
  journal = {Frontiers in psychology},
  year = {2026},
  month = oct,
  doi = {10.3389/fpsyg.2026.1948831},
  url = {https://europepmc.org/article/MED/42903076},
  note = {CC BY},
}
RIS
TY  - JOUR
TI  - "Breaking the bars of my prison of fear" a trauma- and resilience-informed photovoice model as a community intervention following a human-made collective disaster.
AU  - Menny Malka
PY  - 2026
DA  - 2026/10/06
JO  - Frontiers in psychology
DO  - 10.3389/fpsyg.2026.1948831
UR  - https://europepmc.org/article/MED/42903076
AB  - Introduction  Human-made collective disasters disrupt not only physical safety but also the systems of meaning, relationships, and shared narratives that sustain community life. This article presents a Trauma- and Resilience-Informed Photovoice Model (TRIPVM) as an arts-based community intervention and illustrates its implementation in the Israeli city of Ofakim following the October 7, 2023 terrorist attack.Methods  Developed within a Community-Based Participatory Research (CBPR) framework, the model integrates principles of disaster management, trauma- and resilience-informed practice, and the visual arts to support community recovery. The intervention involved 11 community groups facilitated by 22 trained facilitators and combined photography, narrative writing, structured group dialogue, and a public exhibition.Results  The article describes the model's theoretical foundations, implementation protocol, and practical application through representative examples from the intervention. The model is organized around four complementary principles: (1) constructing resilience narratives; (2) strengthening community recognition and ownership of collective narratives; (3) identifying and mobilizing individual and community coping resources; and (4) fostering agency, choice, and the reframing of traumatic experiences through artistic expression.Discussion  The proposed model extends Photovoice beyond its traditional role in participatory research by offering a practical, arts-based framework for community recovery following war, terrorism, and other human-made collective disasters.
SN  - 1664-1078
ER  -