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PreprintarXiv licencearXiv

Mapping Artistic Engagement with Quantum Technologies

Abstract

Quantum technologies (QT) are increasingly being taken up in artistic practices, for example in the form of visual artworks or quantum computer music. However, more comprehensive empirical studies on the temporal development and the different forms of QT-related art are still lacking. Therefore, this study conducted a systematic mapping and classification of QT-related artworks. To this end, a medium-independent corpus was established, and the artworks were classified into four categories: QT-Inspired, QT-Sourced, Simulated QT, and QT-Generated. This classification was LLM-assisted and checked against human-coded reference data as well as through manual review of unclear cases. In total, 281 QT-related artworks from 2010 to August 2025 were identified. The corpus shows a substantial increase in QT-related artworks since 2019, with a considerable share attributed to only a few artists. The different forms of QT relations coexist, while an increasing use of active hardware-based and simulated processes in artistic practices can be documented, particularly since 2021. Although no clear development trajectories between these categories can be identified, the observed development coincides with advances in QT and their improved accessibility. Thus, this study provides an empirical basis for further analyzing the development of QT-related art, the possible emergence of a "quantum art scene," and the reciprocal relationships between art and quantum technologies.

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BibTeX
@misc{schmidt2026mapping,
  title = {{Mapping Artistic Engagement with Quantum Technologies}},
  author = {Adrian Schmidt and Oya Ok and Deniz İpek Zeynioğlu and Zeki C. Seskir},
  howpublished = {arXiv},
  year = {2026},
  month = oct,
  doi = {10.48550/arxiv.2610.37054},
  eprint = {2610.37054},
  archivePrefix = {arXiv},
  url = {https://arxiv.org/abs/2610.37054},
}
RIS
TY  - UNPB
TI  - Mapping Artistic Engagement with Quantum Technologies
AU  - Adrian Schmidt
AU  - Oya Ok
AU  - Deniz İpek Zeynioğlu
AU  - Zeki C. Seskir
PY  - 2026
DA  - 2026/10/27
PB  - arXiv
DO  - 10.48550/arxiv.2610.37054
UR  - https://arxiv.org/abs/2610.37054
AB  - Quantum technologies (QT) are increasingly being taken up in artistic practices, for example in the form of visual artworks or quantum computer music. However, more comprehensive empirical studies on the temporal development and the different forms of QT-related art are still lacking. Therefore, this study conducted a systematic mapping and classification of QT-related artworks. To this end, a medium-independent corpus was established, and the artworks were classified into four categories: QT-Inspired, QT-Sourced, Simulated QT, and QT-Generated. This classification was LLM-assisted and checked against human-coded reference data as well as through manual review of unclear cases. In total, 281 QT-related artworks from 2010 to August 2025 were identified. The corpus shows a substantial increase in QT-related artworks since 2019, with a considerable share attributed to only a few artists. The different forms of QT relations coexist, while an increasing use of active hardware-based and simulated processes in artistic practices can be documented, particularly since 2021. Although no clear development trajectories between these categories can be identified, the observed development coincides with advances in QT and their improved accessibility. Thus, this study provides an empirical basis for further analyzing the development of QT-related art, the possible emergence of a "quantum art scene," and the reciprocal relationships between art and quantum technologies.
ER  -