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PreprintarXiv licencearXiv

Audiovisual diarization of overlapping click trains in sperm whale (Physeter macrocephalus) vocal sparring using a three-hydrophone array

Abstract

The individual attribution of sperm whale (Physeter macrocephalus) vocalizations during surface interactions constitutes a methodological challenge due to acoustic overlaps, multipath propagation, body shadowing, and indistinguishable inter-pulse intervals among similar-sized individuals. A multimodal audio-visual workflow is presented to deinterleave and attribute uncharacterized click trains produced by immature males during ``vocal sparring'' using a portable three-hydrophone array coupled with synchronized video. The approach combines spectro-temporal tracking, based on inter-click interval dynamics and the Constant-Q Transform, with spatial time-difference-of-arrival modeling projected onto the image plane for optical validation. Analysis of 2,655 manually validated clicks shows that purely acoustic clustering diarization errors remain low, peaking at 25.79% only during extreme temporal superpositions. Integrating the optical modality resolves residual spatial indeterminacies; although near-planar array geometry induces vertical ambiguities, the system achieves up to 100% horizontal visual concordance for primary emitters. Crucially, this framework successfully reconstructed and assigned 11 distinct, intertwined click trains totaling 882 clicks to specific focal individuals despite near-field tactile constraints. Because ethological descriptions remain incomplete without identifying the emitter, explicitly correlating these emissions with physical kinematics provides the fine-scale resolution required to define this socio-acoustic behavior.

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BibTeX
@misc{berkenbaum2026audiovisual,
  title = {{Audiovisual diarization of overlapping click trains in sperm whale (Physeter macrocephalus) vocal sparring using a three-hydrophone array}},
  author = {Lara Berkenbaum and Hervé Glotin and François Sarano and Walter M X Zimmer and Véronique Sarano and Olivier Adam and Pascale Giraudet},
  howpublished = {arXiv},
  year = {2026},
  month = sep,
  doi = {10.48550/arxiv.2609.12593},
  eprint = {2609.12593},
  archivePrefix = {arXiv},
  url = {https://arxiv.org/abs/2609.12593},
}
RIS
TY  - UNPB
TI  - Audiovisual diarization of overlapping click trains in sperm whale (Physeter macrocephalus) vocal sparring using a three-hydrophone array
AU  - Lara Berkenbaum
AU  - Hervé Glotin
AU  - François Sarano
AU  - Walter M X Zimmer
AU  - Véronique Sarano
AU  - Olivier Adam
AU  - Pascale Giraudet
PY  - 2026
DA  - 2026/09/11
PB  - arXiv
DO  - 10.48550/arxiv.2609.12593
UR  - https://arxiv.org/abs/2609.12593
AB  - The individual attribution of sperm whale (Physeter macrocephalus) vocalizations during surface interactions constitutes a methodological challenge due to acoustic overlaps, multipath propagation, body shadowing, and indistinguishable inter-pulse intervals among similar-sized individuals. A multimodal audio-visual workflow is presented to deinterleave and attribute uncharacterized click trains produced by immature males during ``vocal sparring'' using a portable three-hydrophone array coupled with synchronized video. The approach combines spectro-temporal tracking, based on inter-click interval dynamics and the Constant-Q Transform, with spatial time-difference-of-arrival modeling projected onto the image plane for optical validation. Analysis of 2,655 manually validated clicks shows that purely acoustic clustering diarization errors remain low, peaking at 25.79% only during extreme temporal superpositions. Integrating the optical modality resolves residual spatial indeterminacies; although near-planar array geometry induces vertical ambiguities, the system achieves up to 100% horizontal visual concordance for primary emitters. Crucially, this framework successfully reconstructed and assigned 11 distinct, intertwined click trains totaling 882 clicks to specific focal individuals despite near-field tactile constraints. Because ethological descriptions remain incomplete without identifying the emitter, explicitly correlating these emissions with physical kinematics provides the fine-scale resolution required to define this socio-acoustic behavior.
ER  -